BOROBUDUR TEMPLE



Borobudur Temple Compounds



This famous Buddhist temple, dating from the 8th and 9th centuries, is located in central Java. It was built in three tiers: a pyramidal base with five concentric square terraces, the trunk of a cone with three circular platforms and, at the top, a monumental stupa. The walls and balustrades are decorated with fine low reliefs, covering a total surface area of 2,500 m2. Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha. The monument was restored with UNESCO's help in the 1970s.

Outstanding Universal Value


The Borobudur Temple Compounds is one of the greatest Buddhist monuments in the world, and was built in the 8th and 9th centuries AD during the reign of the Syailendra Dynasty. The monument is located in the Kedu Valley, in the southern part of Central Java, at the centre of the island of Java, Indonesia.

The main temple is a stupa built in three tiers around a hill which was a natural centre: a pyramidal base with five concentric square terraces, the trunk of a cone with three circular platforms and, at the top, a monumental stupa. The walls and balustrades are decorated with fine low reliefs, covering a total surface area of 2,520 m2. Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha.

The vertical division of Borobudur Temple into base, body, and superstructure perfectly accords with the conception of the Universe in Buddhist cosmology. It is believed that the universe is divided into three superimposing spheres, kamadhatu, rupadhatu, and arupadhatu, representing respectively the sphere of desires where we are bound to our desires, the sphere of forms where we abandon our desires but are still bound to name and form, and the sphere of formlessness where there is no longer either name or form. At Borobudur Temple, the kamadhatu is represented by the base, the rupadhatu by the five square terraces, and the arupadhatu by the three circular platforms as well as the big stupa. The whole structure shows a unique blending of the very central ideas of ancestor worship, related to the idea of a terraced mountain, combined with the Buddhist concept of attaining Nirvana.

The Temple should also be seen as an outstanding dynastic monument of the Syailendra Dynasty that ruled Java for around five centuries until the 10th century.

The Borobudur Temple Compounds consists of three monuments: namely the Borobudur Temple and  two smaller temples situatued to the east on a straight axis to Borobudur. The two temples are Mendut Temple, whose depiction of Buddha is represented by a formidable monolith accompanied by two Bodhisattvas, and Pawon Temple, a smaller temple whose inner space does not reveal which deity might have been the object of worship. Those three monuments represent phases in the attainment of Nirvana.

The temple was used as a Buddhist temple from its construction until sometime between the 10th and 15th centuries when it was abandoned. Since its re-discovery in the 19th century and restoration in the 20th century, it has been brought back into a Buddhist archaeological site.

Criterion (i): Borobudur Temple Compounds with its stepped, unroofed pyramid consisting of ten superimposing terraces, crowned by a large bell-shaped dome is a harmonious marriage of stupas, temple and mountain that is a masterpiece of Buddhist architecture and monumental arts.

Criterion (ii): Borobudur Temple Compounds is an outstanding example of Indonesia’s art and architecture from between the early 8th and late 9th centuries that exerted considerable influence on an architectural revival between the mid-13th and early 16th centuries.

Criterion (vi): Laid out in the form of a lotus, the sacred flower of Buddha, Borobudur Temple Compounds is an exceptional reflection of a blending of the very central idea of indigenous ancestor worship and the Buddhist concept of attaining Nirvana. The ten mounting terraces of the entire structure correspond to the successive stages that the Bodhisattva has to achieve before attaining to Buddhahood.

Integrity

The boundaries contain the three temples that include the imaginary axis between them. Although the visual links are no longer open, the dynamic function between the three monuments, Borobudur Temple, Mendut Temple, and Pawon Temple is maintained.

The main threat to the ensemble is from development that could compromise the extraordinary relationship between the main monument and its wider setting and could also affect the Outstanding Universal Value of the property. The approach to the property has to a degree already been compromised by weak developmental regulations.

Tourism also exerts considerable pressure on the property and its hinterland.

There is a growing rate of deterioration of the building stone, the cause of which needs further research. There is also a small degree of damage caused by unsupervised visitors.

The eruption of Mount Merapi is also considered as one of the potential threats because of its deposit acidic ash as happened in 2010.

Authenticity

The original materials were used to reconstruct the temple in two phases in the 20th century: after the turn of the century and more recently (1973-1983). Mostly original materials were used with some additions to consolidate the monument and ensure proper drainage which has not had any significant adverse impact on the value of the property. Though the present state of Borobudur Temple is the result of restorations, it retained more than enough original material when re-discovered to make a reconstruction possible.

Nowadays the property could be used as a Buddhist pilgrimage site. Its overall atmosphere is, however, to a certain degree compromised by the lack of control of commercial activities and the pressure resulting from the lack of an adequate tourism management strategy.

CANDIREJO VILLAGE BOROBUDUR






Legend said, Candirejo was named Candighra at first then change to Candirga, Candirja, and known as Candirejo until now.
 
It is located 3 km south-east of Borobudur Temple or about an hour from Yogyakarta. This village is 3 km squares and has a population of 4.056.
 
Candirejo situated between lowland and erosional mountain slope thus found many geological features such as water spring and boulders (Watu Kendil, Watu Tambak, Watu Ambeng, etc) as the result of Merapi eruption. Geologically it’s belong to Menoreh Hills.

Candi means stones or rocks, while Rejo means fertile, therefore Candirejo means a fertile rocky village. In another story, its name came from a discovery of Brangkal Temple.
 
One of Candirejo’s peculiar activity is Saparan Perti Desa. It is an activity or tradition which show how close the people to God. It was symbolised with food offering, puppet show, Tumpeng carnival, and the main agenda is Saparan.

text by : www.borobudurpark.com

SELIGRIYO TEMPLE TREKKING




Indonesia, particularly Central and East Java, is known as an archaeological tourism hub with its many ancient sites and temples.

Borobudur, Prambanan, Dieng, Penataran, Sewu, and a host of other world-renowned stone temples are located there. Each of them offers exoticism that has fascinated travelers.

But there are a myriad of lesser-known temples that offer visitors an alternative to the tourist-packed landmarks.

Selogriyo is one.


This small Hindu temple, built in 9th century, is dedicated to Lord Shiva. It faces east, is near the top of the mountain, northwest of Yogyakarta, Java, Indonesia. It is one of the 100s Hindu and Buddhist temples in the region. Inside Candi Selogriyo is space for Siva Linga (now missing). Outside are statues carved of God Siva’s wife Parvati (also known as Durga or Shakti) who stands with her feet touching Nandi, God’s Siva’s son Ganesh who according to Hindu legend has an elephant head, Agastya. A statue of Mahakala is also visible. Vandalism has removed all the heads of the statues, as well caused damage to the temple walls and interior.

The small Hindu structure located on a hill is not rich with epic stories like Borobudur and Prambanan, but nestled in a graceful natural environment it stimulates the feeling of peace for anyone visiting.

Looking to the west, you can see the majestic Mount Sumbing shrouded in fine mist.

In the opposite direction, green fields spread out below while the Merapi, Merbabu, Telomoyo, and Andong mountains tower in the background.

Indeed, Selogriyo is located in a remote place difficult to access. I had to travel the 28 kilometers between Borobudur and Kembang Kuning village by motorcycle to get to the first checkpoint.

Passing a T-section from the main road in Kembang Kuning, I entered a narrow paved way going upward.

Then, I found myself in a neighborhood that smelt like cigarettes. The alleys were lined with latticework for drying tobacco. There was a small parking lot.

To reach the location from the village, I was offered two alternatives: walking or riding a motorcycle via a 2 km track. I chose the former.
 
As I walked past the local houses, the track was getting narrower and more slippery, which was understandable as it had just rained.

This path was thankfully not long, but after that I had to be even more careful while setting foot on the unpaved lane that would bring me to the temple.

On both sides were cliffs leading directly to the portions of paddy fields.

This trip does not sound like an enjoyable one, but don’t be discouraged. Believe me, your effort will be rewarded even as you are doing it.

The view and fresh air will instantly wipe out any feeling of fatigue although you are not accustomed to walking, and wait till you find the little streams of crystal-clear water.

I stopped once in a while to wash my face and to feel the water flowing through my legs.

Landscapes covered with terraced fields were present alongside every way I took, right below the hazy Condong, Giyanti, and Malang hills.

As I went on, I was humbled by the elderly locals with a big hauls of wood on their backs while carrying baskets of grass on their heads. At some corners there, I also saw people processing charcoal.

At the end of the track, a gate welcomed visitors.

From here, the temple was only 160 steep stairs away.

When I got to the peak where the relatively tiny temple stood, it looked sturdy in the middle of a tidily mown grass field.

In an architectural sense, Selogriyo can be said to be modest.

The temple was built in 9 BC, facing eastwards, about 5 meters in length, width, and height, and no open veranda.
 
Most Indonesian temples have a veranda which allows people to walk around the main building.

The shape of the temple resembled a fruit called amalaka , which is a characteristic of North Indian temples.

It had an empty chamber, the garbhagriha . Some say there used to be a lingam and a yoni inside, representing Shiva Mahadeva and Goddess Shakti respectively.

But I was told another version of the story regarding the original function of this chamber.

“It is believed that in the past people would come here to meditate,” said Fistarika Imam Setyawan, the local tour guide who took me there.

“The history of the temple is not clearly known. The name Selogriyo was given by the villagers. It means a stone house,” Fistarika explained.

“They say a long time ago there were two bad men called Nandiswara and Mahakala who failed in their attempt to murder a priest, who turned out to be God Shiva. But Shiva forgave them and ordered them to guard this temple.”

The four sides of the temple’s walls had five niches for containing statues of gods’ manifestations.

The Durga Mahishasura, Ganesha, Agastya, Nandiswara, and Mahakala statues were still there but without heads.
 
As with many other tourist sites in the country, the walls unfortunately were not free from mischievous acts.

I could see silly writings carved on virtually every side. A shame, indeed.

Many historical buildings that were, purportedly, holy places have changed functions today.

In Selogriyo’s case, it is apparently seen by a lot of young people as a beautiful and maybe romantic spot to spend the weekend with their lover.

This makes sense of the “ Dilarang Berpacaran” (“Making Out is Forbidden”) warning board inside the temple.

When I was there I saw a couple of boy and girl sitting close to each other in a loving manner on one of the corners of the temple’s yard.

It was not a strange scene for me actually as beautiful places in the world always attract people to enjoy such romantic moments with their partner there.
For me, however, this place alone was enough to make me fall in love. With or without a partner.

Author 

By : Putri Fitria